This episode of Across The Margin: The Podcast presents an interview with multi-instrumentalist, composer, arranger, and music producer Stuart Bogie. Bogie has toured and recorded extensively with groups such as Antibalas, Arcade Fire, TV on the Radio, and Iron and Wine, to name a few, and he performed as the featured soloist in the original Broadway production of Fela!. As a composer/arranger, he scored the Oscar nominated documentary How To Survive a Plague, which featured performances by the Kronos Quartet alongside Bogie’s group Superhuman Happiness. He has appeared on recordings by renowned artists such as Craig Finn (of The Hold Steady), Cass McCombs, Sharon Van Etten, Angelique Kidjo (2 Grammy winning albums), Medeski Martin and Wood, Yeasayer, Spencer Day, Holly Miranda, Foals, Passion Pit, Mac Miller, and legendary improvised conductor Butch Morris. Bogie currently leads The Bogie Band featuring Joe Russo, a nine piece Winds and Drum group that just released their debut album entitled The Prophets In The City (Royal Potato Family) — the main focus of this episode. The Prophets in the City is a collaboration between old friends, as Bogie teams with drummer extraordinaire Joe Russo most known for helming Joe Russo’s Almost Dead. Heightening Bogie's fiery arrangements and Russo's dynamic drumming, The Prophets in the City features a supporting cast of musicians whose resumes run through some of New York City's most beloved bands including Antibalas, The Dap-Kings, Budos Band, St. Vincent, and David Byrne's American Utopia.The resulting efforts on the debut album are riotous and jubilant, pushing the boundaries of instrumental music. In this episode host Michael Shields and Stuart Bogie discuss how New York City’s energy and spirit directly inspired The Prophets in the City. They discuss the brilliant grouping of players on the album and what it's like for Bogie to work with the phenomenally talented Joe Russo. They discuss music that has influenced Bogie over the years, a variety of his other projects, and so much more.

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