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Will Smith's Oscar slap reveals fault lines as he defends Jada Pinkett Smith against Chris Rock
Publisher |
The Conversation
Media Type |
audio
Publication Date |
Mar 30, 2022
Episode Duration |
00:24:52

It felt like these Oscars were the first ones that history.html">weren’t actually so white. The whole event felt different. With attempts to display a more inclusive Hollywood, the showcase seemed to go beyond its usual tokenism.

But there was the Will Smith-Chris Rock fiasco taking attention away from all this. In what became one of the most infamous moments in the history of the Oscars, Smith got out of his seat to slap Rock for a bad joke aimed at Jada Pinkett Smith.

These flashpoints are always about other things – they are evidence of a layered story. In this case, it’s a story that’s divided people. Is it a story about toxic masculinity? It is a story of intergenerational trauma? Is it about a Black man standing up for Black women?

In this special episode of Don’t Call Me Resilient, we discuss this moment as a cultural flash point. We chat about how “the slap heard around the world” is evidence of a layered story of racism, sexism, power and performance. Will Smith’s violent behaviour towards Chris Rock raises questions about toxic masculinity and also reveals the fault lines of a man who is perhaps still wrestling with his traumatic past.

Even though we’re not ready to start rolling out our regular season which we plan to do in May, we couldn’t wait to talk about this cultural moment, so we produced this special episode.

Our guest is Cheryl Thompson, assistant professor in Performance at the School of Creative Industries, Ryerson University, where she looks at race and representation. Thompson is the author of Beauty in a Box about the politics of Black women and beauty, as well as Uncle: Race, Nostalgia and Loyalty. She’s also the Director of the Media Representation and Archives Lab at Ryerson.

Thompson was the guest of our very first episode of Don’t Call Me Resilient, where we had a fascinating conversation about the n-word. If you have not heard that one, please check it out.

Read Thompson's new article:Jada Pinkett Smith and Black women’s hair: History of disrespect leads to the CROWN Act

Show notes for this episode & call-me-resilient.simplecast.com/episodes/will-smiths-oscar-slap-reveals-fault-lines-as-he-defends-jada-pinkett-against-chris-rock/transcript">unedited transcript

Join The Conversation about this podcast:Use hashtag #DontCallMeResilient and tag us:Twitter, Instagram, Facebook, LinkedIn

Sign up for our newsletter

Contact us: theculturedesk@theconversation.com

In this special edition of 'Don't Call Me Resilient,' host Vinita Srivastava chats with Cheryl Thompson, Professor of Performance about how "the slap heard around the world" is part of a layered story of racism, sexism, power and performance.

It felt like these Oscars were the first ones that history.html">weren’t actually so white. The whole event felt different. With attempts to display a more inclusive Hollywood, the showcase seemed to go beyond its usual tokenism.

But there was the Will Smith-Chris Rock fiasco taking attention away from all this. In what became one of the most infamous moments in the history of the Oscars, Smith got out of his seat to slap Rock for a bad joke aimed at Jada Pinkett Smith.

These flashpoints are always about other things – they are evidence of a layered story. In this case, it’s a story that’s divided people. Is it a story about toxic masculinity? It is a story of intergenerational trauma? Is it about a Black man standing up for Black women?

In this special episode of Don’t Call Me Resilient, we discuss this moment as a cultural flash point. We chat about how “the slap heard around the world” is evidence of a layered story of racism, sexism, power and performance. Will Smith’s violent behaviour towards Chris Rock raises questions about toxic masculinity and also reveals the fault lines of a man who is perhaps still wrestling with his traumatic past.

Even though we’re not ready to start rolling out our regular season which we plan to do in May, we couldn’t wait to talk about this cultural moment, so we produced this special episode.

Our guest is Cheryl Thompson, assistant professor in Performance at the School of Creative Industries, Ryerson University, where she looks at race and representation. Thompson is the author of Beauty in a Box about the politics of Black women and beauty, as well as Uncle: Race, Nostalgia and Loyalty. She’s also the Director of the Media Representation and Archives Lab at Ryerson.

Thompson was the guest of our very first episode of Don’t Call Me Resilient, where we had a fascinating conversation about the n-word. If you have not heard that one, please check it out.

Read Thompson's new article:Jada Pinkett Smith and Black women’s hair: History of disrespect leads to the CROWN Act

Show notes for this episode & call-me-resilient.simplecast.com/episodes/will-smiths-oscar-slap-reveals-fault-lines-as-he-defends-jada-pinkett-against-chris-rock/transcript">unedited transcript

Join The Conversation about this podcast:Use hashtag #DontCallMeResilient and tag us:Twitter, Instagram, Facebook, LinkedIn

Sign up for our newsletter

Contact us: theculturedesk@theconversation.com

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