Drawing a Better Map
Publisher |
London by Lockdown
Media Type |
audio
Categories Via RSS |
Arts
News
Society & Culture
Publication Date |
Mar 07, 2021
Episode Duration |
00:34:25

As a community and a nation we can’t know where we are, where we’re going, or where we could be if our map is faulty, incomplete or badly drawn. We also miss out on great stories. In this episode authors Jacqueline Roy, SI Martin and Nicola Williams expertly guide us through Britain’s past and present. So come celebrate the UK’s diverse and brilliant Black British voices with us.

**************************

To truly trace the contours of this place, in all its complexity and beauty, we need to build a better map, and to do that we need to hear all voices, stories and experiences — from across the cities and beyond. This cultural journey, an international, inter-generational and centuries-long history of people criss-crossing the Atlantic, has led to the rise of what is now celebrated as Black Britain. The readings and interviews with Jackie, Steve and Nicola give us precious insights into the lives of people from African and Caribbean heritages. As our guides help us explore the preoccupations, voices and stories of this island nation, we learn about the part literature has played in forging that national identity, and how levelling the field in publishing can enrich our understanding of everything from Georgian London to legal thrillers.

“Good books withstand the test of time, even if they are of their time.”— Bernardine Evaristo (author of Booker winning novel “Girl, Woman, Other”).

Viewed as part of a continuum, this body of work provides a more accurate and detailed account of what it means to be British. From books published in the 1930s, when most of the Caribbean was considered British; to the music of 2-Tone, where black and white musicians blended blue beat and ska from the 1960s with reggae, soul and punk from the 1970s; to the 1990s, when black authors born in the UK were being published. National identity is constructed as much through the past as it is by the present.

“Black Britain: Writing Back” is a new series curated by Bernardine Evaristo with her publisher, Hamish Hamilton, at Penguin Random House. Their ambition is to correct historic bias in British publishing and bring a wealth of lost writing back into circulation. This project looks back to the past in order to resurrect texts that will help reconfigure black British literary history.

Featured "Black Britain: Writing Back" authors The Fat Lady Sings Incomparable WorldWithout PrejudiceMinty AlleyBernard and the Cloth MonkeyThe Dancing Face

If Lockdown is Getting You Down How to Access Mental Health Services (NHS site) Mental Health AustraliaOnly Human Radio ShowPink Therapy

Thanks volumes.org.uk%20">Speaking VolumesLucy HannahBocas Lit Fest

Websi

As a community and a nation we can’t know where we are, where we’re going, or where we could be if our map is faulty, incomplete or badly drawn. We also miss out on great stories. In this episode authors Jacqueline Roy, SI Martin and Nicola Williams expertly guide us through Britain’s past and present. So come celebrate the UK’s diverse and brilliant Black British voices with us. ************************** To truly trace the contours of this place, in all its complexity and beauty, we need to build a better map, and to do that we need to hear all voices, stories and experiences — from across the cities and beyond. This cultural journey, an international, inter-generational and centuries-long history of people criss-crossing the Atlantic, has led to the rise of what is now celebrated as Black Britain. The readings and interviews with Jackie, Steve and Nicola give us precious insights into the lives of people from African and Caribbean heritages. As our guides help us explore the preoccupations, voices and stories of this island nation, we learn about the part literature has played in forging that national identity, and how levelling the field in publishing can enrich our understanding of everything from Georgian London to legal thrillers. “Good books withstand the test of time, even if they are of their time.”— Bernardine Evaristo (author of Booker winning novel “Girl, Woman, Other”). Viewed as part of a continuum, this body of work provides a more accurate and detailed account of what it means to be British. From books published in the 1930s, when most of the Caribbean was considered British; to the music of 2-Tone, where black and white musicians blended blue beat and ska from the 1960s with reggae, soul and punk from the 1970s; to the 1990s, when black authors born in the UK were being published. National identity is constructed as much through the past as it is by the present. “Black Britain: Writing Back” is a new series curated by Bernardine Evaristo with her publisher, Hamish Hamilton, at Penguin Random House. Their ambition is to correct historic bias in British publishing and bring a wealth of lost writing back into circulation. This project looks back to the past in order to resurrect texts that will help reconfigure black British literary history. Featured "Black Britain: Writing Back" authors The Fat Lady Sings Incomparable WorldWithout PrejudiceMinty AlleyBernard and the Cloth MonkeyThe Dancing Face If Lockdown is Getting You Down How to Access Mental Health Services (NHS site) Mental Health AustraliaOnly Human Radio ShowPink Therapy Thanks Speaking VolumesLucy HannahBocas Lit Fest Websi

As a community and a nation we can’t know where we are, where we’re going, or where we could be if our map is faulty, incomplete or badly drawn. We also miss out on great stories. In this episode authors Jacqueline Roy, SI Martin and Nicola Williams expertly guide us through Britain’s past and present. So come celebrate the UK’s diverse and brilliant Black British voices with us.

**************************

To truly trace the contours of this place, in all its complexity and beauty, we need to build a better map, and to do that we need to hear all voices, stories and experiences — from across the cities and beyond. This cultural journey, an international, inter-generational and centuries-long history of people criss-crossing the Atlantic, has led to the rise of what is now celebrated as Black Britain. The readings and interviews with Jackie, Steve and Nicola give us precious insights into the lives of people from African and Caribbean heritages. As our guides help us explore the preoccupations, voices and stories of this island nation, we learn about the part literature has played in forging that national identity, and how levelling the field in publishing can enrich our understanding of everything from Georgian London to legal thrillers.

“Good books withstand the test of time, even if they are of their time.”— Bernardine Evaristo (author of Booker winning novel “Girl, Woman, Other”).

Viewed as part of a continuum, this body of work provides a more accurate and detailed account of what it means to be British. From books published in the 1930s, when most of the Caribbean was considered British; to the music of 2-Tone, where black and white musicians blended blue beat and ska from the 1960s with reggae, soul and punk from the 1970s; to the 1990s, when black authors born in the UK were being published. National identity is constructed as much through the past as it is by the present.

“Black Britain: Writing Back” is a new series curated by Bernardine Evaristo with her publisher, Hamish Hamilton, at Penguin Random House. Their ambition is to correct historic bias in British publishing and bring a wealth of lost writing back into circulation. This project looks back to the past in order to resurrect texts that will help reconfigure black British literary history.

Featured "Black Britain: Writing Back" authors The Fat Lady Sings Incomparable WorldWithout PrejudiceMinty AlleyBernard and the Cloth MonkeyThe Dancing Face

If Lockdown is Getting You Down How to Access Mental Health Services (NHS site) Mental Health AustraliaOnly Human Radio ShowPink Therapy

Thanks volumes.org.uk%20">Speaking VolumesLucy HannahBocas Lit Fest

Websites & Articles Joint Council for the Welfare of Immigrants George Padmore InstituteBlack Cultural ArchivesGuardian Article: ‘Politicians should not “weaponise” History

Music & SFX Opening & Closing Credits by builder.squarespace.com/#intro">Unregistered Master Builder Background Music and Interludes: Zanzibar by Jones Meadow, Secret Love - Johannes Bornlof and Mountain Quail - Dust Follows: (Epidemic Sound)SFX Connection: City Sounds

Contact Facebook: @CraigsAudioWorks  Twitter & Instagram: @LDNbylockdown Available linktr.ee/LondonbyLockdown

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