Robert Yeoman has worked with Wes Anderson since his very first film Bottle Rocket and shares the ins and outs of what it takes to get those very specific Wes Anderson shots... In this episode, we talk about… Robert’s entry into the world of being a cinematographer Robert’s experience shooting low budget commercials and 25 day, $2 million movies How Wes and Robert ignored the studio about what lens to use in filming Bottle Rocket  What it’s like to work on a Wes Anderson film: small crews, storyboarding, specificity, stress, and schedules  Shooting French Dispatch and Wes’ extensive movie prep, film library, and testing film stocks  The value of shooting on film, especially in black and white  Links to Resources: The French Dispatch: https://www.searchlightpictures.com/thefrenchdispatch/ Please like us on Facebook: https://www.facebook.com/nofilmschool Follow us on Twitter: https://twitter.com/nofilmschool Subscribe to our YouTube channel: https://www.youtube.com/user/nofilmschool  Check us out on Instagram: https://www.instagram.com/nofilmschool Ask us questions at editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices