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Submit ReviewToday, a tip of the hat to the persistence of Ms. Elisa Hall, who lived in Boston from 1853 to 1924.
Hall was a Francophile and championed the best and the latest in French music. Sadly, Elisa Hall suffered from a hearing ailment, which would eventually result in complete deafness. At the advice of her doctor, who thought it might stimulate her ears, Hall took up the saxophone – and with typical enthusiasm soon began commissioning the leading French composers of the day for new pieces for her instrument.
In all, she commissioned 22 works, the most famous being by Claude Debussy. Debussy at first refused Ms. Hall's persistent offers of a commission, pleading the saxophone was “a reed animal with whose habits he was poorly acquainted.”
Debussy was paid in advance, but it was years before delivered a short rhapsody in a vaguely Moorish style. In May of 1919, one year after Debussy's death, the orchestration of the piece was completed by Debussy's friend, Jean Roger-Ducasse, and premiered in Paris.
Ms. Hall apparently never performed it herself. Maybe she was exasperated by the long delay or perhaps, by 1919, her own hearing had deteriorated to the point where she no longer could.
Claude Debussy (1862 - 1918) Rhapsody for Saxophone and Orchestra Kenneth Radnofsky, alto saxophone; New York Philharmonic; Kurt Masur, conductor. Teldec 13133
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