On this week’s show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana’s review for Slate for further analysis.) Then, it’s onto John Mulaney Presents: Everybody’s in LA, a six-part live Netflix special that aired during the streaming giant’s comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody’s in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate’s music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini’s essay, “The Problem with Music” and his letter to Nirvana. In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate’s music critic, Carl Wilson, inspired by W. David Marx’s essay for The Atlantic, “The Diminishing Returns of Having Good Taste.”  Email us at culturefest@slate.com.  Endorsements: Dana: “Who’s Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker. Julia: “Espresso” by Sabrina Carpenter. Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve’s playlist here.)  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana’s review for Slate for further analysis.) Then, it’s onto John Mulaney Presents: Everybody’s in LA, a six-part live Netflix special that aired during the streaming giant’s comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody’s in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate’s music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini’s essay, “The Problem with Music” and his letter to Nirvana. In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate’s music critic, Carl Wilson, inspired by W. David Marx’s essay for The Atlantic, “The Diminishing Returns of Having Good Taste.”  Email us at culturefest@slate.com.  Endorsements: Dana: “Who’s Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker. Julia: “Espresso” by Sabrina Carpenter. Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve’s playlist here.)  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices