Synopsis

On today’s date in 1928, the Danish composer Carl Nielsen conducted the first public performance of his new Clarinet Concerto in Copenhagen.

“The clarinet,” said Nielsen, “can, at one and the same time seem utterly hysterical, gentle as balsam, or as screechy as a streetcar on badly greased rails.” Nielsen set himself the task of covering that whole range of the instrument’s conflicting emotions and colors. He wrote it for a Danish clarinetist he admired named Aage Oxenvad, who played both the public premiere on today’s date and a private reading a few weeks earlier.

After the private performance Oxenvad is supposed to have muttered: “Nielsen must be able to play the clarinet himself — otherwise he would hardly have been able to find all the instrument’s WORST notes.” The concerto’s wild mood-swings puzzled audiences in 1928, but today it’s regarded as one of Nielsen’s most original works.

In October of 1996, another Clarinet Concerto received its premiere when American composer John Adams conducted the first performance of his work Gnarly Buttons with soloist Michael Collins. This concerto contains a bittersweet tribute to Adams’ father, a clarinetist who fell victim to Alzheimer’s disease. In Adams’ concerto, the swing tunes slide into dementia, but the concerto ends with a kind of benediction.

Music Played in Today's Program

Carl Nielsen (1865-1931) Clarinet Concerto, Op. 57 Kjell-Inge Stevennson, clarinet; Danish Radio Symphony; Herbert Blomstedt, cond. EMI 69758

John Adams (b. 1947) Gnarly Buttons Michael Collins, clarinet; London Sinfonietta; John Adams, cond. Nonesuch 79453

On This Day

Births

• 1882 - Canadian-born American composer R. Nathaniel Dett, in Drummondsville, Ontario;

Deaths

• 1896 - Austrian composer Anton Bruckner, age 72, in Vienna;

Premieres

• 1727 - Handel: "Coronation Anthems," in London at Westminster Abbey during the coronation of King George II and Queen Caroline (Gregorian date: Oct. 22);

• 1830 - Chopin: Piano Concerto No. 1 in E minor, in Warsaw, composer as soloist;

• 1928 - Nielsen: Clarient Concerto, at a public concert in Copenhagen, with the composer conducting and Aage Ozenvad the soloist; This concert had been given a private performance in Humlebaek on September 14, 1928);

• 1947 - Prokofiev: Symphony No. 6, by Leningrad Philharmonic, Yevgeny Mravinsky conducting;

• 1952 - Prokofiev: Symphony No. 7, by Moscow Philharmonic, Samuil Samosud conducting;

• 1953 - Messiaen: "Réveil des oiseaux," in Donaueschingen, Germany;

• 1955 - B.A. Zimmermann: "Nobody Knows de Trouble I See" for Trumpet and Orchestra, in Hamburg, by the North German Radio Orchestra conducted by Ernest Bour, with Adolf Scherbaum the soloist;

• 1962 - Carlisle Floyd: opera "The Passion on Jonathan Wader," by the New York City Opera;

• 1977 - Bernstein: "Songfest," "Three Mediations from 'Mass,'" and "Slava!" by the National Symphony, conducted by the composer ("Songfest" and "Meditations"‚ and Mstislav Rostropovich ("Slava!"); Rostropovich was also the cello soloist in the "'Meditations";

• 1980 - Bernstein: "A Musical Toast ( A Fanfare in Memory of André Kostelanetz)" by the New York Philharmonic conducted by Zubin Mehta;

• 1980 - Zemlinksy: opera "Der Traumgörge" (Goerge the Dreamer), posthumously, in Nuremberg at the Opernhaus (This opera was written in 1906);

• 1985 - John Harbison: String Quartet No. 1, at the Corcoran Gallery in Washington, D.C., by the Cleveland Quartet.

• 1985 - Michael Torke: “Vanada” for brass, keyboards and percussion, at the Concertgebouw Chamber Hall in Amsterdam, by the Asko Ensemble, Lukas Vis conducting.