Candyman Review + Is Streaming Now Driving Production? - ORC 9/2/21 - Publication Date |
- Sep 02, 2021
- Episode Duration |
- 01:24:15
A Candyman review ends the episode. But to begin, we react to 7 new trailers including Mass & Parallel Mothers, there’s a final preview for Venice and Telluride, & we cover news on Netflix, the Golden Globes, and the box office.
What Is This Episode? - Top of Show
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CONTENDER TRAILER THOUGHTS:
Parallel Mothers - 1:51
Mass - 5:55
Malignant Trailer 2 - 10:01
DC FanDome Hints at Big Reveals - 14:30
No Time to Die Final Trailer - 16:55
The Guilty Teaser - 20:16
The Velvet Underground - 21:41
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REAL TIME REACTIONS TO PARALLEL MOTHERS PREMIERE - 23:54
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FESTIVAL NEWS:
Reviewing the Venice Schedule - 25:36
Telluride Announces Its Lineup - 29:00
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HFPA UPDATES - 34:45
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OSCARS 2023 STORIES:
Coppola May Spend $100M For Megalopolis - 36:50
Paul Schrader’s Next Film Shapes Up - 41:05
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NETFLIX PURCHASES:
Netflix Buys Elsie Fisher’s Texas Chainsaw - 43:00
And The Summit of the Gods - 45:56
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BOX OFFICE UPDATE - 47:34
(“The streaming money is driving production.”)
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CANDYMAN REVIEW:
Non Spoiler Analysis - 56:40
Small Spoilers + Analysis - 1:07:12
Final Grades - 1:17:16
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Where To Find Our Work/LEAVE US 5* REVIEWS! - 1:22:15
Words of Wisdom/What’s Coming Next - 1:23:00
We end the episode with a 25 minute review of Candyman, and we break halfway for a spoiler section. So let’s all agree not to summon anything.
Otherwise, we have a fully loaded Oscar Race Checkpoint for the first hour of the show, beginning with 7 trailer reviews including our hopes for Penelope Cruz in Parallel Mothers, our reverence for Ann Dowd and Mass, our eyesight problems regarding Malignant, the hints from DC Fandome, the final look at No Time To Die, a tease for The Guilty, and a musical education via The Velvet Underground.
Some real time reactions to the premiere of Almodovar’s Parallel Mothers pop up just in the nick of time as we transition to a few final previews of Venice & Telluride. The former released its schedule while the latter finally released its lineup. So we’ll continue to cover the fall festivals in forthcoming shows.
There’s a progress report from the HFPA, and we all should be skeptical. The 2022-23 Oscars get some familiar auteurs back in the ring with Francis Ford Coppola and another project from Paul Schrader. Netflix acquired another huge horror IP with Elsie Fisher’s Texas Chainsaw Massacre and another potential animated feature contender. Then we cover the box office before our review of Candyman.
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