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Can Albuquerque Make Room for Its Past and Its Future?
Podcast |
Soonish
Publisher |
Hub & Spoke
Media Type |
audio
Podknife tags |
Society & Culture
Technology
Categories Via RSS |
Documentary
Science
Society & Culture
Technology
Publication Date |
May 06, 2022
Episode Duration |
00:51:40

Last summer, a pair of murals celebrating New Mexico's landscape, heritage, and diversity appeared in Albuquerque's historic Old Town district. The large outdoor pieces by muralists Jodie Herrera and Reyes Padilla—two artists with deep roots in New Mexico—brought life back to a once abandoned shopping plaza and became instant fan favorites, endlessly photographed by locals and tourists alike. 

But in a January hearing, the the city’s Landmarks Commission, which is charged with preserving Old Town and Albuquerque’s other historical districts, said the murals were unauthorized and ahistorical and should be destroyed. Business owners and the arts community fought back, saying the commission’s ruling was capricious would amount to cultural erasure. Boosted by a flood of news coverage and public support, this coalition eventually won a new hearing before the commission. 

In a city with such a rich multicultural heritage and a vibrant art scene, how did a disagreement about a couple of murals on private property escalate into a culture-war issue? Must communities make a binary choice between historical preservation and creative growth? Inside historic districts, which versions of history do we choose to preserve—and who gets to make these decisions?

Those are the big questions at the heart of this episode. We’ll hear from Herrera and Padilla, but also from small business owners trying to revitalize Old Town—and from a city official charged with trying to steer sensible enforcement of the city’s historic preservation ordinances. “Historic preservation is valuable and something we all respect, but it has to be parallel with a thriving contemporary community,” says Laura Houghton, who runs the Lapis Room Gallery in Albuquerque and selected Herrera and Padilla to paint the murals. The question for Albuquerque, and roush-6wk7.squarespace.com/109-a-tale-of-two-bridges">many other American cities, is how to balance both needs.

UPDATE: The second Landmarks Commission hearing on the future of the murals took place as scheduled on May 11, 2022, and the commissioners voted to let the murals remain. Listen to the end of the episode for a postscript about the hearing and local reaction to the decision.

For a full transcript, photographs of the murals, and more details please go to https://www.soonishpodcast.org/506-albuquerque

Notes

A special thank you to Jodie Herrera, Reyes Padilla, Jasper Riddle, Laura Houghton, Rosie Dudley, and Ellen Petry Leanse for all their help with this episode.

The Soonish opening theme is by Graham Gordon Ramsay.

All additional music in this episode is from Titlecard Music and Sound in Boston.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.

Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.

Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

 

Last summer, a pair of murals celebrating New Mexico's landscape, heritage, and diversity appeared in Albuquerque's historic Old Town district. The large outdoor pieces by muralists Jodie Herrera and Reyes Padilla—two artists with deep roots in New Mexico—brought life back to a once abandoned shopping plaza and became instant fan favorites, endlessly photographed by locals and tourists alike. But in a January hearing, the the city’s Landmarks Commission, which is charged with preserving Old Town and Albuquerque’s other historical districts, said the murals were unauthorized and ahistorical and should be destroyed. Business owners and the arts community fought back, saying the commission’s ruling was capricious would amount to cultural erasure. Boosted by a flood of news coverage and public support, this coalition eventually won a new hearing before the commission. In a city with such a rich multicultural heritage and a vibrant art scene, how did a disagreement about a couple of murals on private property escalate into a culture-war issue? Must communities make a binary choice between historical preservation and creative growth? Inside historic districts, which versions of history do we choose to preserve—and who gets to make these decisions? Those are the big questions at the heart of this episode of Soonish.

Last summer, a pair of murals celebrating New Mexico's landscape, heritage, and diversity appeared in Albuquerque's historic Old Town district. The large outdoor pieces by muralists Jodie Herrera and Reyes Padilla—two artists with deep roots in New Mexico—brought life back to a once abandoned shopping plaza and became instant fan favorites, endlessly photographed by locals and tourists alike. 

But in a January hearing, the the city’s Landmarks Commission, which is charged with preserving Old Town and Albuquerque’s other historical districts, said the murals were unauthorized and ahistorical and should be destroyed. Business owners and the arts community fought back, saying the commission’s ruling was capricious would amount to cultural erasure. Boosted by a flood of news coverage and public support, this coalition eventually won a new hearing before the commission. 

In a city with such a rich multicultural heritage and a vibrant art scene, how did a disagreement about a couple of murals on private property escalate into a culture-war issue? Must communities make a binary choice between historical preservation and creative growth? Inside historic districts, which versions of history do we choose to preserve—and who gets to make these decisions?

Those are the big questions at the heart of this episode. We’ll hear from Herrera and Padilla, but also from small business owners trying to revitalize Old Town—and from a city official charged with trying to steer sensible enforcement of the city’s historic preservation ordinances. “Historic preservation is valuable and something we all respect, but it has to be parallel with a thriving contemporary community,” says Laura Houghton, who runs the Lapis Room Gallery in Albuquerque and selected Herrera and Padilla to paint the murals. The question for Albuquerque, and roush-6wk7.squarespace.com/109-a-tale-of-two-bridges">many other American cities, is how to balance both needs.

UPDATE: The second Landmarks Commission hearing on the future of the murals took place as scheduled on May 11, 2022, and the commissioners voted to let the murals remain. Listen to the end of the episode for a postscript about the hearing and local reaction to the decision.

For a full transcript, photographs of the murals, and more details please go to https://www.soonishpodcast.org/506-albuquerque

Notes

A special thank you to Jodie Herrera, Reyes Padilla, Jasper Riddle, Laura Houghton, Rosie Dudley, and Ellen Petry Leanse for all their help with this episode.

The Soonish opening theme is by Graham Gordon Ramsay.

All additional music in this episode is from Titlecard Music and Sound in Boston.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.

Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.

Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

 

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