Martin Sturma’s path to kurabito life at Shimizu Seizaburo Shoten has been a winding one. He first started working with sake at the JETRO Prague office, but he had already fallen in love with drink thanks to a fateful encounter on a study abroad trip to the U.S., of all places.By 2020 he was ready to make the move to Japan and start working at a brewery, but the pandemic got in the way, and he found himself in Paris working for one of the more interesting sake makers outside of Japan, WAKAZE. There he was able to build experience across all parts of the brewing process, preparing him for when Japan finally reopened its borders, at which point he promptly set off to start at Shimizu Seizaburo Shoten, the makers of Zaku.Today he joins us to talk about his experiences becoming a kurabito, the differences between working at a sake brewery outside of Japan and a more traditional brewery in Japan, and why keeping the yeast happy is the best way to make delicious sake. Anybody planning on coming to Japan to brew sake? Share your ambitions with us on Instagram, Twitter, and Facebook. You can also follow Martin's adventures on his instagram. Don’t hesitate to also reach out to us with other sake or shochu-related thoughts or questions at questions@sakeonair.com and rate us on the podcast service of your choice while you’re at it.We’ll be back very soon with plenty more Sake on Air before you know it.Until then, kampai! Sake on Air is made possible with the generous support of the Japan Sake & Shochu Makers Association and is broadcast from the Japan Sake & Shochu Information Center in Tokyo. The show is brought to you by Potts.K Productions with audio production by Frank Walter. Our theme, “Younger Today Than Tomorrow” was composed by forSomethingNew.

Martin Sturma’s path to kurabito life at Shimizu Seizaburo Shoten has been a winding one. He first started working with sake at the JETRO Prague office, but he had already fallen in love with drink thanks to a fateful encounter on a study abroad trip to the U.S., of all places.By 2020 he was ready to make the move to Japan and start working at a brewery, but the pandemic got in the way, and he found himself in Paris working for one of the more interesting sake makers outside of Japan, WAKAZE. There he was able to build experience across all parts of the brewing process, preparing him for when Japan finally reopened its borders, at which point he promptly set off to start at Shimizu Seizaburo Shoten, the makers of Zaku.Today he joins us to talk about his experiences becoming a kurabito, the differences between working at a sake brewery outside of Japan and a more traditional brewery in Japan, and why keeping the yeast happy is the best way to make delicious sake. Anybody planning on coming to Japan to brew sake? Share your ambitions with us on Instagram, Twitter, and Facebook. You can also follow Martin's adventures on his instagram. Don’t hesitate to also reach out to us with other sake or shochu-related thoughts or questions at questions@sakeonair.com and rate us on the podcast service of your choice while you’re at it.We’ll be back very soon with plenty more Sake on Air before you know it.Until then, kampai! Sake on Air is made possible with the generous support of the Japan Sake & Shochu Makers Association and is broadcast from the Japan Sake & Shochu Information Center in Tokyo. The show is brought to you by Potts.K Productions with audio production by Frank Walter. Our theme, “Younger Today Than Tomorrow” was composed by forSomethingNew.