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BPR Full Show 12/2/22: Going for Baroque
Publisher |
WGBH
Media Type |
audio
Categories Via RSS |
News
Publication Date |
Dec 05, 2022
Episode Duration |
02:44:12

Today on Boston Public Radio:

We began the show by talking about the Boston City Council’s vote to lower the local voting age to 16.

Shirley Leung talked about the differences in the ways that Boston Mayor Michelle Wu and New York City Mayor Eric Adams handle mental illness and homelessness, as well as her latest piece on the “Great Rethink” about the ways that we work. Leung is a business columnist for the Boston Globe.

Corby Kummer discussed the latest food headlines, including the issue of water insecurity, Whole Foods putting lobster on hold over whaling concerns, and the meaninglessness of expiration dates. Kummer is the executive director of the food and society policy program at the Aspen Institute, a senior editor at The Atlantic and a senior lecturer at the Tufts Friedman School of Nutrition Science and Policy.

Sue O’Connell shared her thoughts on the Respect for Marriage Act passing in the Senate, more controversy at Balenciaga, Elon Musk abusing monkeys for his neuralink project, and "gaslighting" becoming Merriam Webster’s word of the year. O’Connell is the co-publisher of Bay Windows and South End News, and contributor to Current on NBC LX and NECN.

Jared Bowen gave us the latest on greater Boston arts: the return of Boston Athenaeum, “Twas the Night Before” at the Boch Center, and Harry Benson at the Addison Gallery. He also discussed the recent New York Times profile on the woman who gets to dust Michaelangelo’s David. Bowen is GBH's executive arts editor.

Christina Day Martinson and Ann McMahon Quintero of Boston Baroque joined us ahead of performances of Handel’s Messiah this weekend at GBH to chat and play some music. Martinson is concertmaster for Boston Baroque, and Quintero is a mezzo-soprano soloist in their rendition of Handel's "Messiah."

We ended the show by asking listeners what they think about having dogs in the office.

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