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Bonus Episode: The Dybbukast, Season 4 Episode 1 - The Merchant of Venice: Ghetto
Podcast |
Judaism Unbound
Media Type |
audio
Categories Via RSS |
Judaism
Religion & Spirituality
Publication Date |
Jan 16, 2024
Episode Duration |
00:32:31

This bonus episode of Judaism Unbound is presented in partnership with Theatre Dybbuk. We are proud to feature their fourth season's first episode as a bonus episode here on Judaism Unbound's feed. In each episode, they bring poems, plays, and other creative texts from throughout history to life, all while revealing their relationships to issues still present today. Subscribe to The Dybbukast on Apple Podcasts, or anywhere else that podcasts are found.

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In this episode, presented in collaboration with the George Washington University Department of History, we examine the history of the word “ghetto" and look at ways that ideas contained in Shakespeare's play overlap with and deviate from that history.

Dr. Daniel Schwartz, Professor of Jewish History at GW, guides us through this exploration, sharing some of the concepts contained in his book, Ghetto: The History of a Word.

This is the first in a three episode series connected to concepts that intersect with theatre dybbuk's most recent theatrical work, The Merchant of Venice (Annotated), or In Sooth I Know Not Why I Am So Sad. That production combines text from Shakespeare's The Merchant of Venice with Elizabethan history and news from 2020 to the present. In doing so, it seeks to illuminate how, during times of upheaval, some people may place blame for their anxieties on an “other."

Read the transcription for "1911-4817-b498-731ec7cb0abf.usrfiles.com/ugd/c9382b_665fa2448ee3494a80ab37c286db1b39.pdf">The Merchant of Venice: Ghetto. 

This bonus episode of Judaism Unbound is presented in partnership with Theatre Dybbuk. We are proud to feature their third season's fourth episode as a bonus episode here on Judaism Unbound's feed. In each episode, they bring poems, plays, and other creative texts from throughout history to life, all while revealing their relationships to issues still present today. Subscribe to The Dybbukast on Apple Podcasts, or anywhere else that podcasts are found. --------------------------------------------- In this episode, presented in collaboration with the George Washington University Department of History, we examine the history of the word “ghetto" and look at ways that ideas contained in Shakespeare's play overlap with and deviate from that history. Dr. Daniel Schwartz, Professor of Jewish History at GW, guides us through this exploration, sharing some of the concepts contained in his book, Ghetto: The History of a Word. This is the first in a three episode series connected to concepts that intersect with theatre dybbuk's most recent theatrical work, The Merchant of Venice (Annotated), or In Sooth I Know Not Why I Am So Sad. That production combines text from Shakespeare's The Merchant of Venice with Elizabethan history and news from 2020 to the present. In doing so, it seeks to illuminate how, during times of upheaval, some people may place blame for their anxieties on an “other." Read the transcription for "The Merchant of Venice: Ghetto."

This bonus episode of Judaism Unbound is presented in partnership with Theatre Dybbuk. We are proud to feature their fourth season's first episode as a bonus episode here on Judaism Unbound's feed. In each episode, they bring poems, plays, and other creative texts from throughout history to life, all while revealing their relationships to issues still present today. Subscribe to The Dybbukast on Apple Podcasts, or anywhere else that podcasts are found.

---------------------------------------------

In this episode, presented in collaboration with the George Washington University Department of History, we examine the history of the word “ghetto" and look at ways that ideas contained in Shakespeare's play overlap with and deviate from that history.

Dr. Daniel Schwartz, Professor of Jewish History at GW, guides us through this exploration, sharing some of the concepts contained in his book, Ghetto: The History of a Word.

This is the first in a three episode series connected to concepts that intersect with theatre dybbuk's most recent theatrical work, The Merchant of Venice (Annotated), or In Sooth I Know Not Why I Am So Sad. That production combines text from Shakespeare's The Merchant of Venice with Elizabethan history and news from 2020 to the present. In doing so, it seeks to illuminate how, during times of upheaval, some people may place blame for their anxieties on an “other."

Read the transcription for "1911-4817-b498-731ec7cb0abf.usrfiles.com/ugd/c9382b_665fa2448ee3494a80ab37c286db1b39.pdf">The Merchant of Venice: Ghetto. 

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