This episode currently has no reviews.
Submit ReviewOn today’s date in 1733, music-loving readers of a Leipzig newspaper called the “Nachricht auch Frag und Anzeiger” would have seen this welcome announcement: “Tonight at 8 o’clock there will be a Bach concert at Zimmermann’s Coffeehouse on Catharine Street.”
So, in addition to a Grandé Latté or Double-shot Depth-Charge, Zimmermann’s patrons could treat themselves to a Grand Suite or Double-Concerto by Johann Sebastian Bach. As if Bach wasn’t busy enough providing all those sacred cantatas and organ chorales for TWO Leipzig’s churches every Sunday, he was also in charge of that city’s Collegium Musicum, an organization that presented more secular musical fare.
It’s likely that on occasional weekday nights at Catharine Street, most of Bach’s concertos and chamber works were performed by Bach himself, alongside many of the same musicians he employed each Sunday for his church music.
Given his staggering workload, it’s not TOO far-fetched to assume that caffeine helped Bach stay focused and alert: One of his secular cantatas might even be considered as an early form of an advertising plug: the humorous text of Bach’s ‘Coffee Cantata’ recounts how a young woman’s addiction to coffee triumphs over her stuffy father’s moral objections to the tasty brew.
Johann Sebastian Bach (1685-1750) — Harpsichord Concerto in f, S. 1056 (Gustav Leonhardt, Herbert Tachezi, hc; Leonhardt Consort) Teldec 35778
Coffee Cantata, S. 211 — Christine Schaefer, sop.; (Stuttgart Bach-Collegium; Helmuth Rilling, cond.) Hanssler 98.161
This episode currently has no reviews.
Submit ReviewThis episode could use a review! Have anything to say about it? Share your thoughts using the button below.
Submit Review