When you’re writing by hand, where is your other hand? What story is the space between your two hands — your dominant hand and non-dominant hand — telling?

This poem considers the posture of the body when writing: writing a letter, writing a note, writing a poem. The poet pays attention to hands — when dancing, when speaking from the heart, in prayer. This poem invites the listener to slow down, to listen to the stories the body is telling by how it's held in small moments.   

Aracelis Girmay is originally from Southern California and now lives in New York. She is the author of the poetry collections Teeth, Kingdom Animalia, and The Black Maria. Her essay "From Woe to Wonder" can be read in the Arts & Culture section of The Paris Review (June, 2020). Girmay recently edited How to Carry Water: Selected Poems of Lucille Clifton and she is on the editorial board of the African Poetry Book Fund.

Find the transcript for this show at onbeing.org.