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Annalisa Dias is a Goan-American transdisciplinary artist, community organizer, and award-winning theatre maker working at the intersection of racial justice and care for the earth. She is Director of Artistic Partnerships & Innovation at Baltimore Center Stage. Annalisa is also a Co-Founder of Groundwater Arts. Prior to joining BCS, Annalisa was a Producing Playwright and Acting Creative Producer with The Welders, a DC playwright's collective; and a Co-Founder of the DC Coalition for Theatre & Social Justice. Artistic credits include: WRITING: 4380 Nights, the earth that is sufficient, One Word More, The Last Allegiance, A Legacy of Chains, Crooked Figure, Consider the Dust, Matanuska, Coal, and Servant of the Wind. DEVISING: Wit's End Puppets: Malevolent Creatures; banished? productions: Tyger; Theater Alliance: I Love DC. DIRECTING: Source Festival: Dust to dust to dust and Dressing Bobby Strong; The Salima Project (film). Annalisa’s work has been produced or developed by The Welders, Theater Alliance, Signature Theatre (DC), Arena Stage, the Phillips Collection, The Gulfshore Playhouse, the Mead Theatre Lab, The Hub Theatre, Spooky Action Theater, Tron Theatre (Glasgow), and OverHere Theatre (London). Annalisa frequently teaches theatre of the oppressed and decolonization workshops nationally and internationally and speaks about race, identity, and performance. She is a TCG Rising Leader of Color. Recent work includes THE EARTH, THAT IS SUFFICIENT, a performance project about hope for the future in the face of the climate catastrophe, produced by The Welders throughout 2019 in Washington DC and globally.
The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.
Mentioned in this episodeBaltimore Center Stage
To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.
Stay in TouchNewsletter sign-upfi.com/D1D81J7MZ">Support my podcastShareable link to episode
The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me fi.com/D1D81J7MZ">Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.
THE TRUTH IN THIS ART IS SUPPORTED IN PART BY
The Robert W. Deutsch Foundation
fi.com/D1D81J7MZ" title="★ Support this podcast ★">★ Support this podcast ★About the guest
Annalisa Dias is a Goan-American transdisciplinary artist, community organizer, and award-winning theatre maker working at the intersection of racial justice and care for the earth. She is Director of Artistic Partnerships & Innovation at Baltimore Center Stage. Annalisa is also a Co-Founder of Groundwater Arts. Prior to joining BCS, Annalisa was a Producing Playwright and Acting Creative Producer with The Welders, a DC playwright's collective; and a Co-Founder of the DC Coalition for Theatre & Social Justice. Artistic credits include: WRITING: 4380 Nights, the earth that is sufficient, One Word More, The Last Allegiance, A Legacy of Chains, Crooked Figure, Consider the Dust, Matanuska, Coal, and Servant of the Wind. DEVISING: Wit's End Puppets: Malevolent Creatures; banished? productions: Tyger; Theater Alliance: I Love DC. DIRECTING: Source Festival: Dust to dust to dust and Dressing Bobby Strong; The Salima Project (film). Annalisa’s work has been produced or developed by The Welders, Theater Alliance, Signature Theatre (DC), Arena Stage, the Phillips Collection, The Gulfshore Playhouse, the Mead Theatre Lab, The Hub Theatre, Spooky Action Theater, Tron Theatre (Glasgow), and OverHere Theatre (London). Annalisa frequently teaches theatre of the oppressed and decolonization workshops nationally and internationally and speaks about race, identity, and performance. She is a TCG Rising Leader of Color. Recent work includes THE EARTH, THAT IS SUFFICIENT, a performance project about hope for the future in the face of the climate catastrophe, produced by The Welders throughout 2019 in Washington DC and globally.
The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.
Mentioned in this episodeBaltimore Center Stage
To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.
Stay in TouchNewsletter sign-upfi.com/D1D81J7MZ">Support my podcastShareable link to episode
The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me fi.com/D1D81J7MZ">Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.
THE TRUTH IN THIS ART IS SUPPORTED IN PART BY
The Robert W. Deutsch Foundation
fi.com/D1D81J7MZ" title="★ Support this podcast ★">★ Support this podcast ★This episode currently has no reviews.
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