[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] American Sniper: Is Your Adaptation Running Toward The Truth? By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [blank_spacer height=”30px” width=”1/1″ el_position=”first last”] [spb_text_block title=” TRANSCRIPT” pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Hello, this is Jacob Krueger and welcome to the Write Your Screenplay podcast. As you know, on this podcast, instead of thinking about movies in terms of two thumbs up or two thumbs down we like to think about movies in terms of what we can learn about them as screenwriters. So we’re going to look at all kinds of movies. We’re going to look at good movies, we’re going to look at bad movies. We’re going to look at movies that we love and movies that we hate. But we’re going to look at them in a way that helps us to better our own writing. Today’s movie is certainly one of the more controversial movies that are out right now: American Sniper by Jason Dean Hall. Let me just start off by saying that my politics are certainly not Clint Eastwood’s politics and that made American Sniper a hard movie for me. I think it made American Sniper a hard movie for a lot of people. I’m not the kind of person who believes, as Chris Kyle says at the beginning of the movie, that there are three types of people in the world: sheep, wolves and sheepdogs. I’m not a person like Chris Kyle who believes that things are purely black and white, and that there’s very little grey. Watching a movie that cuts directly from planes crashing into the World Trade Center to the war of Iraq and makes that argument all over again, linking Iraq to the September 11th attacks, politically – that’s hard for me to watch. That said, those are the politics of the main character, Chris Kyle. Those are the politics of a lot of people like him who went into this war, believing they are the heroes. Believing that the people they are fighting are savages, and as Americans, they are purely a force of good in the world. There is something to be said about directing and writing a movie that looks at the world through the eyes of your protagonist. The hope of course, as you work on such an adaptation, is that even as you’re looking at the world through their eyes, you’re also maybe revealing something to the audience, and to yourself, that is even more complicated than the main character can see. These elements of American Sniper which do succeed in this way.   Clint Eastwood, in fact, has said that he views American Sniper as an anti-war film, and quite frankly, as much as I may disagree with his politics, on this, I agree with him. I agree with him for a couple of reasons. The first is: Bradley Cooper’s performance and Eastwood’s direction of that performance. While Chris Kyle may be saying things throughout this movie, like, “I don’t regret a single kill” and “I will go to my maker happy to answer for every one of them” and while he may talk in his memoir about enjoying war, the performance of the main character (as corroborated by the interviews that Chris Kyle’s wife has given) tells us a very different story. Even as this character believes that he’s A-Okay, it’s pretty clear that he’s suffering from increasingly severe Post Traumatic Stress Disorder. Even as the character is telling himself that he is doing the right thing, that he is inside the good, it’s pretty clear that the war is changing him. We are watching him become haunted by demons that cut him off from his wife, his children, his friends,