We begin a four-part series tonight exploring Dylan's use of horns on record and in concert. This first episode covers 1966 to 1976. This series delves into the producers, arrangers, and musicians with whom Dylan worked when adding horns to his song arrangements. This episode explains the difference between brass horns, reed wind instruments, and edgeblown wind instruments, considers why Dylan's early work may have had more instances of string parts overdubbed to his songs instead of horn arrangements, and it looks at songs recorded for albums with horn arrangements that were not, ultimately, used for the album in question. In "20 Pounds of Headlines" we round up news from the world of Bob Dylan, which includes mourning the passing of Walter Yetnikoff and celebrates last-one-standing Tony Bennett, who is releasing a new album and just performed his final concert at the age of 95. In "Who Did It Better?" we ask you which version of "Most Likely You Go Your Way (And I'll Go Mine)" you think is better: the 1966 BLONDE ON BLONDE mono mix or the 2007 Remix done by Mark Ronson to mark the release of the 2007 album DYLAN? Go to our Twitter page at @RainTrains to vote!