For those who hold out the Netherlands as a textbook case of a ‘slippery slope’, they see a law originally designed to help the terminally ill – but that has now ‘slipped’ to include those who aren’t. But the Dutch law wasn’t written to deal only with certain diseases; guided by doctors themselves, it was deliberately created for people whose suffering is ‘unbearable and untreatable’.

centre-heracles.s3.amazonaws.com/wheeler-centre/assets/2e/91c4d0d9f811e5a0f0093c1212b1f1/Barbara-Heetman---by-Emily-Sexton---cropped.jpg">

Barbara Heetman: 'My mother had to say totally from her own brain, heart, whatever, ‘I want this."' — Photo: Emily Sexton

This might include, for example, people with long-term, corrosive illnesses such as multiple sclerosis or motor neurone disease. In some circumstances, it may even include people with Alzheimer’s.

But if the basis of your law is that only a mentally competent adult can request euthanasia, how do you deal with cases where that competence is unclear?

Barbara Heetman’s mother, Jeanne, applied to be euthanised before losing herself in the fog of Alzheimer’s. Her request was considered by the End of Life Clinic (Levenseindekliniek) that specialises in complex euthanasia requests.

The many steps Jeanne had to go through to prove she was mentally competent provide a powerful demonstration of the care with which Dutch euthanasia law is carried out – and an equally powerful rebuttal of claims of a slippery slope.

centre-heracles.s3.amazonaws.com/wheeler-centre/assets/2a/4d1640d9f811e58300c95ee2ff36e4/Gerrit-Kimsma---Emily-Sexton.JPG">

Gerrit Kimsma: 'We are being transparent and I think we have a good system. We should be proud of it.' — Photo: Emily Sexton

Hear more

Willie Swildens-Rozendaal has chaired the Netherlands’ euthanasia review committees since their inception. Here, she takes you through how they operate, and the safeguards built into the system.

Know more

• Article: 'Attitudes towards assisted dying' – Economist, 27 June 2015

• Article: last-day-of-her-life.html?_r=1">'The Last Day of Her Life', by Robin Marantz Henig – New York Times Magazine, 14 May 2015

In this episode

• Mariska Koster
• Theo Boer
• Steven Pleiter
• Gerrit Kimsma
• Eric van Wijlick
• Barbara Heetman
• Alex Schadenberg

Our theme music was composed by Zig Zag Lane for Zapruder's Other Films, and edited by Jon Tjhia. Music used in this episode includes 'Four' (Ólafur Arnalds and Nils Frahm), 'In Utero' (subaske), 'B1' (Ólafur Arnalds and Nils Frahm), 'Me' (Nils Frahm), 'For' (Nils Frahm), 'L$D' (ASAP Rocky), 'Slow Show' (The National), 'Hands, Be Still' (Ólafur Arnalds) and 'Forty-Eight Angels' (Paul Kelly).

Your stories

If you're suffering, or someone you love has died badly – in a hospital, in palliative care, in a nursing home, or at home – add your voice and tell your story here.

Further information

Better Off Dead is produced by Thought Fox and the Wheeler Centre.

Executive producers Andrew Denton and Michael Williams. Producer and researcher Bronwen Reid. For Better Off Dead, the Wheeler Centre team includes Director Michael Williams, Head of Programming Emily Sexton, Projects Producer Amita Kirpalani and Digital Manager Jon Tjhia. Editing, sound design and mix on this episode is by Martin Peralta. 

Thank you

Thanks to field producer Emily Sexton, and to Paul Kelly and Sony ATV for the use of his song ‘Forty Eight Angels’.

The series

Subscribe in iTunes, or your favourite podcast app. #betteroffdeadpod