One of Shakespeare’s four great tragedies, The Tragedy of Othello, the Moor of Venice (ca. 1603) is perhaps the most difficult of them to watch. The malevolent Iago, viewed by some as evil incarnate, has been infuriating audiences for centuries – legend has it that at one performance in the Old West, a cowboy in the audience was so offended by Iago’s machinations he pulled out his pistol and shot him. And theater professionals are well accustomed to the gasps, cries, and occasional screams from the audience as they view the horrendous scene, in which the jealous lead character is finally driven to kill his wife, the innocent Desdemona. What motivates Iago? Why is Othello so susceptible? And what themes in Othello still resonate today?
Show Notes:
You can find more literary discussion at
jackewilson.com and more episodes of the series at
historyofliterature.com.
Contact the host at
jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766).
Music Credits:
“Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA).
***
This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.
Since you're listening to The History of Literature, we'd like to suggest you also try other Podglomerate shows surrounding literature, history, and storytelling like Storybound, Micheaux Mission, and The History of Standup.
Learn more about your ad choices. Visit
megaphone.fm/adchoicesOne of Shakespeare’s four great tragedies, The Tragedy of Othello, the Moor of Venice (ca. 1603) is perhaps the most difficult of them to watch. The malevolent Iago, viewed by some as evil incarnate, has been infuriating audiences for centuries – legend has it that at one performance in the Old West, a cowboy in the audience was so offended by Iago’s machinations he pulled out his pistol and shot him. And theater professionals are well accustomed to the gasps, cries, and occasional screams from the audience as they view the horrendous scene, in which the jealous lead character is finally driven to kill his wife, the innocent Desdemona. What motivates Iago? Why is Othello so susceptible? And what themes in Othello still resonate today?
Show Notes:
You can find more literary discussion at
jackewilson.com and more episodes of the series at
historyofliterature.com.
Contact the host at
jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766).
Music Credits:
“Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA).
***
This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.
Since you're listening to The History of Literature, we'd like to suggest you also try other Podglomerate shows surrounding literature, history, and storytelling like Storybound, Micheaux Mission, and The History of Standup.
Learn more about your ad choices. Visit
megaphone.fm/adchoicesOne of Shakespeare’s four great tragedies, The Tragedy of Othello, the Moor of Venice (ca. 1603) is perhaps the most difficult of them to watch. The malevolent Iago, viewed by some as evil incarnate, has been infuriating audiences for centuries – legend has it that at one performance in the Old West, a cowboy in the audience was so offended by Iago’s machinations he pulled out his pistol and shot him. And theater professionals are well accustomed to the gasps, cries, and occasional screams from the audience as they view the horrendous scene, in which the jealous lead character is finally driven to kill his wife, the innocent Desdemona. What motivates Iago? Why is Othello so susceptible? And what themes in Othello still resonate today?
Show Notes:
You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com.
Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766).
Music Credits:
“Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA).
***
This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our manage.com/subscribe/post?u=a3da57251c024955428e72bcc&id=abeea0a423">newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.
Since you're listening to The History of Literature, we'd like to suggest you also try other Podglomerate shows surrounding literature, history, and storytelling like Storybound, Micheaux Mission, and The History of Standup.
Learn more about your ad choices. Visit megaphone.fm/adchoices
