This week we chat with film composer and Marilyn Manson producer Tyler Bates. Tyler worked with Manson on The Pale Emperor and Heaven Upside Down and has composed musical scores for the entire Guardians of the Galaxy and John Wick franchises, in addition to films such as Deadpool 2, Watchmen, 300, Halloween (2007), Atomic Blonde and numerous others. We discuss his involvement with the first live action Cirque Du Soleil show, R.U.N., how that process compares to composing films, the multiple TV series he has worked on recently, and the important role The Shield played in inspiring him to compose for television. We also talk about our favorite soundtracks (including Matt Dillion’s City of Ghosts, a personal favorite of Petar's which Tyler composed), his take on Martin Scorsese's comments about the Marvel world not being cinema, if working with Rob Zombie on a film was a different challenge because he is a musician, and the story behind ending The Devil’s Rejects with “Free Bird." Petar, Brandon, and Jozalyn discuss the passing of Mercyful Fate bassist Timi Hansen, the reunion of Rage Against The Machine, and why James and Lars of Metallica should not consider using riffs written by Kirk Hammett. Songs: Tyler Bates - “Texas Motel” (Killer Joe score), “Run Baby Girl” (The Devil’s Rejects score) and “Fever Dream” (300 score), Marilyn Manson - “We Know Where You Fucking Live” Learn more about your ad choices. Visit podcastchoices.com/adchoices