Released 40 years after Robert Benton’s Best Picture-winning KRAMER VS. KRAMER, Noah Baumbach’s latest, MARRIAGE STORY, depicts a process that hasn’t grown any easier in the intervening time, but has certainly become less novel. After discussing whether Baumbach’s portrayal of modern divorce might actually be a stealth feel-good movie, and which three of its many great scenes make the film, we get into the shared nuances that connect these two films across the decades, from their portrayal of the legal mechanism of divorce to how gender roles play into their respective depictions of day-to-day parenting and the trials of shared custody. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.
Please share your comments, thoughts, and questions about KRAMER VS. KRAMER, MARRIAGE STORY, or anything else in the world of film, by sending an email to
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Your Next Picture Show:
• Tasha: Alma Har’el’s HONEY BOY
• Keith: John Badham’s DRACULA
• Scott: Mads Brügger’s COLD CASE HAMMARSKJÖLD
Outro music: Rilo Kiley, “Breakin Up”
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