Steven Soderbergh’s new quick-and-dirty Netflix film HIGH FLYING BIRD follows a basketball agent’s bold attempt to work outside the dictates of a professional league, a hustle that calls to mind the Venice Beach street-ball scene of Ron Shelton’s 1992 comedy WHITE MEN CAN’T JUMP. In this half of our look at freelance ballers and the games they play on and off the court, we talk about what WHITE MEN CAN’T JUMP has to say about the game, friendship, race, and how they intersect, and dig into how and why Shelton has so reliably put his own unique spin on the sports movie. Plus, some feedback inspired by our VELVET BUZZSAW episode and the Academy’s newly crowned Best Picture. Please share your comments, thoughts, and questions about WHITE MEN CAN’T JUMP, HIGH FLYING BIRD, or anything else film-related by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.   Learn more about your ad choices. Visit megaphone.fm/adchoices