Ryan Reft is a historian in the Manuscript Division at the Library of Congress, where he oversees collections pertaining to 20th and 21st century domestic politics and policies. He received his PhD in U.S. urban history from the University of California San Diego in 2014, and his writing has appeared all over the place, from edited volumes to academic journals, to the Washington Post and Zocalo Public Square. He’s also currently the senior co-editor of the Urban History Association’s blog The Metropole, where he recently authored a great article called “Heroin and Chocolate City: Black Community Responses to Drug Addiction in the Nation’s Capital, 1967-1973.” While it’s not a book, “Heroin and Chocolate City” is a deeply-researched article that offers compelling new insights into how Washington, D.C., responded to heroin use in the late 60s and early 70s, when both D.C., and heroin, were really unique.

*Note to listeners: Ryan realized later he connected Julius Hobson with SNCC. Hobson was actually associated with CORE.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

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Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled: How the Cassette Made Music Shareable (Duke University Press, 2024), Dr. Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital.

Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Dr. Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Dr. Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Cyrus McCormick invented the revolutionary mechanical reaper in 1831...right? At least, that's how the story has been told for decades. In Harvesting History: McCormick's Reaper, Heritage Branding, and Historical Forgery (U Nebraska Press, 2023), National Park Service historian Daniel Ott argues that not only have textbooks and other sources of historical knowledge gotten this wrong, but that they've done so because of a massive PR campaign. Ott argues that McCormick, his family, and the company that bears his name, all engaged in a multi-decade long fight to convince potential buyers that their reaper was the first, and given the potentially millions of dollars at stake in a competitive farm implement marketplace, claiming so was no exercise in arcane trivia. In the late 19th and early 20th century. McCormick's company recruited salesmen, advertisers, and newly professionalized historians to shape a narrative about the reaper that sanded over the complex and contingent nature of its invention, and turned McCormick into an American hero. The history told by these groups was malleable enough to fit changing times, as populists and progressives came and went - the claim of "first" gave McCormick's reaper credibility its competitiors could never match. Harvesting History is a story about the importance of getting the story right, and why some people will go to great lengths to make sure we keep getting the story wrong.

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The Rise of English: Global Politics and the Power of Language, which has just been reissued in paperback by Oxford University Press, with a new preface.

The Rise of English charts the spread of English as the dominant lingua franca worldwide. The book explores the wide-ranging economic and political effects of English. It examines both the good and harm that English can cause as it increases economic opportunity for some but sidelines others. Overall, the book argues that English can function beneficially as a key component of multilingual ecologies worldwide.

In the conversation, we explore how the dominance of English has become more contested since the Covid-19 pandemic, particularly in higher education and global knowledge production.

For additional resources, show notes, and transcripts, go here.

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The Hollow Parties: The Many Pasts and Disordered Present of American Party Politics (Princeton UP, 2024) traces the political history of American political parties, not so much as historical institutions with different constituents—though it does that—but as living and breathing entities that have, over the course of more than 200 years, been, at times, vitally engaged with politics. The role of parties in the political system is to work in an organized way to get control of government and to connect electoral actors with the power to do things within the governmental system. Daniel Schlozman and Sam Rosenfeld dive into all kinds of archival data and information to get at the records and comments of party stalwarts, not just presidents or elected officials often associated with the parties. They were looking to see how the folks who were inside the parties, or parts of the parties, thought about the parties themselves and their work in them. Some of this is well-trodden ground, but much of the political history in The Hollow Parties really fleshes out much more of the daily engagement among party members and how they made American political parties work and thus how they made American politics work. But part of the story is also that the parties did not and do not always work the same in tandem. In fact, according to the examples laced throughout the book, often times one party, say a dominant party like the Republican Party during and after the Civil War, or the Democratic Party in the post-war period, operated differently and was structured differently than its opposition.

The underlying thesis of The Hollow Parties is that while the political parties at the moment, at this time of high polarization, may seem to be vessels of ideology antagonistic to stable democracy, in fact, we need parties to be vitally engaged in politics, as they have been in the past. Scholzman and Rosenfeld also note that the current polarized era has produced different outcomes in the ways the parties operate: for the Democrats, they become ineffectual; for the Republicans, they have become extremists. The Hollow Parties explains that it may currently feel as if the parties are hollow, especially on the Right where so many other entities have come into the space that had belonged to the party itself. But that the way to stem the crisis in democracy in the United States is for the parties to re-establish themselves as functional political institutions working with and in the formal components of the American political system. The Hollow Parties explains a kind of typology of how the parties in the United States operate and that at different times, each party has embodied different strands within this typology. This is a useful and important framework to consider how American political parties function and how these different strands aim towards different forms of operation and different goals.

Finally, this book is beautifully written, marrying archival information with contemporary examples and whisking the reader along on a fascinating and revealing ride through American political development. The Hollow Parties focuses on American political parties but can’t help but enlighten the reader about American history and current political developments that are all directly connected to past party activities and political history.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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In a broken world, in which even God Himself is in a state of deep crisis, what is required in order to mend the rupture? How can one heal God and His world? Moreover, what might allow our actions to be effective? These questions stand at the heart of the Lurianic Kabbalah, the apex of the Safedian intellectual and religious renaissance of the sixteenth century, and one of the constituting phenomena of Modern Jewish thought. 

God as Patient: The Medical Discourse of Lurianic Kabbalah (Magnes Press, 2023) presents medical discourse – the knowledge, language, and practice of medicine – as a significant key to our understanding of the Lurianic search for a way to mend reality, and first and foremost the Godhead. The book reads together the Lurianic texts alongside the medical writings of R. Hayyim Vital, R. Isaac Luria's chief disciple, and a medical practitioner. Consequently, the book analyzes how medicine becomes the model for the Lurianic language of action. In its final part, the book shows how God becomes in this Kabbalah the ultimate patient of the Lurianic Kabbalist, who in turn becomes the private court physician of the King of Kings, and needs, like every physician, the proper modes of healing to accomplish his task.

Dr. Assaf Tamari studies Jewish intellectual history in the early modern eastern Mediterranean, focusing on the affinities between theology, science and political thought, especially in the literature of the Kabbalah. He is currently the deputy head of the Ben Zvi Institute for the Study of Jewish Communities in the East, and teaches at Tel Aviv University, Shalem College and Alma - a Home for Hebrew Culture.

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People experience and comprehend time in different fashions in response to events occurring around them. The experience of time and the speed at which change is perceived to occur may alter during eras of crisis. Time can feel compressed for some and broad or flat for others. These comprehensions of time in turn give form to political views and provide impetus for actions in the political sphere. Political reforms may seem to fast and without foundation for some and not nearly fast enough for those desperately seeking change. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, Dr. Alexandra Paulin-Booth argues that time provides an important means of exploring how concepts such as nationalism, revolution, and social change were understood at the turn of the century. 

In her latest work, Time and Radical Politics in France: from the Dreyfus Affair to the First World War (Manchester University Press, 2023) Dr. Paulin-Booth argues French political and intellectual figures differed in opinion as to whether a glorious future was within their grasp or perhaps the past promised salvation for the embattled French Third Republic.

Professor Alexandra Paulin-Booth is a Postdoctoral Researcher & Academic Coordinator with Humboldt-Universität in Berlin. Dr. Paulin-Booth completed her Masters degrees at Durham University before studying for Ph.D. in History at the University of Oxford. She has also taught at Balliol College, Oxford and Durham University.

Rick Northrop is an undergraduate student of History in Calgary, Alberta.

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In Mooring the Global Archive: A Japanese Ship and Its Migrant Histories (Cambridge UP, 2023), Martin Dusinberre follows the Yamashiro-maru steamship across Asian and Pacific waters in an innovative history of Japan's engagement with the outside world in the late-nineteenth century. His compelling in-depth analysis reconstructs the lives of some of the thousands of male and female migrants who left Japan for work in Hawai'i, Southeast Asia and Australia. These stories bring together transpacific historiographies of settler colonialism, labour history and resource extraction in new ways. Drawing on an unconventional and deeply material archive, from gravestones to government files, paintings to song, and from digitized records to the very earth itself, Dusinberre addresses key questions of method and authorial positionality in the writing of global history. This engaging investigation into archival practice asks, what is the global archive, where is it cited, and who are 'we' as we cite it? 

This title is also available as Open Access here.

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The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. 

James A. Cosby's book Rock Music, Authority and Western Culture, 1964-1980 (McFarland, 2024) examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.

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'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?

The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.

We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.

Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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